The artworks are realized and presented in the context and in cooperation with leading art galleries, festivals and art institutions: One of the first artworks cycle was Mute Space and White Screen – red, blue and green “portraits of Light Cells”(Tefaf Maastricht 2012). The following large scale installation was commissioned and presented at La Biennale di Venezia and Konzerthaus Vienna with Klangforum Wien (2013/15). The Fondation Beyeler commissioned a 360 installation Prometheus (2016) within the framework of the exhibition Kandinsky, Marc – Der blaue Reiter. White Point, Radical Atoms, and the Wittgenstein cycle were realized for the Ars Electronica Festivals (2014-19). In 2016, the Kunsthistorisches Museum Wien commissioned an installation in occasion of the 125 years of the museum, in this way Infinite Screen was presented around the Tower of Babel, on of the most famous paintings of the museum, as a symbol and starting point for the 1,200 m2 installation on the Museum’s main façade during one month from dusk to midnight. 2017 the art center Espace Muraille Geneve commissioned a media artwork, occasion for the creation of the Infinite Time Machine, a composition on 6 orchestrated canvases, Metamorphosis and Gateways to Elysium were exceptional exhibition projects with Vienna Contemporary and Gallery W&K Vienna New York (2018). In Arts Festival Vernon–Giverny was created Impressions- Dialogues avec Monet (2019), and at Ars Electronica the Infinite Light Column, a symbol of change of perspective, project that is actually developed in cooperation wth Ircam at Centre Pompidou in Paris.
AROTIN & SERGHEI Infinite Screen 